Today’s quote comes from Bernard Meunier, Nestlé’s country manager, quoted in Business Week (2006) on why they’ve “pumped $500 million into Russia to date”:

“As soon as people step out of poverty, they become potential Nestlé customers.”

I suppose that’s really good news for Russia’s 53 billionaires, but probably bad news for the 20% that live below the poverty line, and the 30% whose wages are below the required minimum to live. It seems that the poorest segments of the population, like pensioners, the unemployed and government employees like teachers are not likely to be Nestlé customers.

(There is of course the exception to the rule, and that’s probably when they want to give free breast milk substitutes that helps contribute to the problem of 1.5 million children dying every year from inadequate breast feeding).

BBC4 just screened Nahid Persson’s Prostitution Behind The Veil, which was nominated in 2005 for an Emmy award. It also one a Guldbagge in Sweden for best documentary in 2005, and. achieved honours at the Creteil International Women’s Films Festival.

Born in Iran in 1960, Nahid Persson fled the country over twenty years ago and now lives in Sweden where she has studied microbiology. She also founded a radio station there. In 1993 she began studies at Film-och TV Skolan, and received master class education from 2003-2004. (Danish Film Institute)

The film was excellent, if rather shocking. Persson has returned to Iran “make a documentary, but not this one.” In Iran, “she finds the divisions between the classes greater than ever, unemployment has skyrocketed and widespread disillusionment provides a lucrative market for an elderly man, Habib, who sells prophecies on the streets” using canaries to pluck random, written predictions from a box. Deciding to make a documentary about the fortune teller, while filming “she was both shocked and intrigued to discover” Habib shared “his accommodation with Minna and Fariba”, two female prostitutes who are both heroin addicts. As Persson explains, the two “women were happy that someone was interested in their plight”:

“We had a natural relation. We trusted each other,” Persson says. “They even asked me on several occasions to go with them when they were going to meet some of their regular customers, because they were from some police station. But I didn’t do it out of the fear that I had to film someone who wears the uniform of a pasdar [Iran’s Revolutionary Guard]. And it was also better for them that I didn’t do it.”

Both women had become drug addicts due to addicted husbands. Fariba was given it by her husband to treat her kidney pain, and slowly got addicted; eventually “her husband sends her into the street and tells her, ‘Go bring clients.’” According to the film, Fariba had two children, one of which she still had, but the other, a three month old baby, was sold off by her husband. Minna’s story was similar in that her husband was arrested for drug running and more, and she turned to prostitution when she ended up living on the street with her child. She claimed she had no idea of his crimes, but he did get her onto drugs, too. Both women are often forced to take their children with them as they seek clients.

The film reveals how Shia Islam law can be used to “legally” conduct prostitution:

Men in Iran can find a way to buy sex and still comply with Muslim law by way of “Sighe,” a temporary marriage legal in Shia Islam. A Sighe marriage can last from two hours up to 99 years. Both Minna and Fariba participate in this pseudo-marriage with many of their customers

The film is well made, and sympathetic to the characters, and reveals a hidden side to Iran, where an official Iranian report concluded in 2000 that “Drug addiction is the rage among schoolchildren, prostitution has increased 635% among high school students and the (growth) rate of suicide in the country has exceeded the record by 109%.” The film looks at some of the prime causes of this: unemployment and poverty, and the fact that contraceptives were banned after the Iranian Revolution which led, from 1970 to 1990, to an almost doubling of the population from 28.4 to 54.6 million people.

All in all the film is worth watching to try and gain a better understanding of the social issues Iran faces.

Like many whites in South Africa, we had a maid from the moment we moved into our new house near Pinetown, Durban in around 1989 or so. Roughly 8% of South Africa’s workforce are thought to be domestic workers, the vast majority of whom are now earning R1000 or less per month (2003 figures). As late as 1999, the Congress of South African Trade Unions (COSATU) estimated that the average wage for domestic workers was between R369 and R549. The large domestic labour force reflects both South Africa’s apartheid past and its current struggle with job creation, poverty and unemployment, where “Between 1994 and 2003, unemployment rose by 153 percent … Unemployment is still 115 percent higher than it was in 1994.”

But our maid was not just a statistic, or someone who had to make the bed.

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